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A Cut Above: a chainsaw carving competition like Blown Away, but even better!

A Cut Above: a chainsaw carving competition like Blown Away, but even better!
Syvia Itzen, a contestant on A Cut Above, uses a chainsaw to carve an abstract representation of herself on episode 1 of the Discovery Channel show.

On A Cut Above, mist tumbles over mountains and through the branches of western red cedar trees that reach high into the air. And in a clearing, the sound of loud gas engines, as humans slash chainsaws into hunks of that red cedar, a violent action that produces stunning, dynamic works of art.

From the Canadian production company that brought us the terrific glass-blowing show Blown Away comes another reality TV competition about an art form that hasn’t yet had its own show: chainsaw sculpting.

A Cut Above first premiered on Discovery Canada in August, and is now on Discovery Channel in the U.S. (Sundays at 10), and it’s an outstanding celebration of a newer art form that centers the artists and their incredible work, all in a beautiful location.

A drone shot from A Cut Above showing the contestants' work areas, with circles of sawdust surrounding them.
A drone shot from A Cut Above showing the contestants’ work areas, with circles of sawdust surrounding them.

The arena for A Cut Above’s competition is deep in a forest outside Squamish, British Columbia, leading to some rainy and cold days, where the production has created an absolutely breathtaking set for the competition: a circular arena separated by tiered planters, surrounded by logs places into the ground.

Host Adam Beach, a Golden Globe-nominated actor who is a member of the Anishinaabe Nation, starts open the first episode with a land acknowledgement to the Squamish Nation, which is the first time I’ve heard that on a reality TV show. (It’s also in the credits: “A Cut Above respectfully acknowledges the privilege of filming on the lands of the Squamish Nation.”)

A Cut Above also acknowledges, in the credits, how cutting up trees using power tools may be antithetical to the setting:

The producers of A CUT ABOVE have donated to reforestation and carbon offsetting as compensation for use of cedar wood and chainsaw emissions in the series.

There are a lot of power tools: The 12 contestants—who come from Canada, but also Germany, Ireland, Scotland, Wales, the United States, and Zimbabwe—have access to a shed with more than 30 chainsaws, and dozens of power tools.

The contestants are a diverse group, both as artists and people, who take vastly different approaches to the challenges. Asked in the second episode to produce a sculpture that embodies a hope or a fear, the results range from a haunting portrayal of loneliness to a comic likeness of one of this show’s judges being punched in the face.

A Cut Above's chainsaw carving contestants, who produce great art in each episode
A Cut Above’s chainsaw carving contestants—Joel Palmer, Jesse Toso, Ryan Villiers, Andrew Mallon, Chris Wood, Aya Blane, Sam Bowsher, Brigitte Lochhead, Junior Henderson, Sylvia Itzen, Bongo Love, and John Hayes—who produce great art in each episode (Photo by marblemedia)

Like Blown Away, which is also produced by marblemedia, the various techniques the artists use are explained to us, including blocking, which is the initial cut with a chainsaw to get a shape.

The artists then use smaller and smaller chainsaws to chip away at their sculptures. Power tools allow them to create even more detail, and they finish by burning, sanding, and painting the wood.

After the first episode, there are two challenges in each episode: a two-hour Quick Carve, whose winner gets an advantage in the seven-hour Master Carve, the elimination challenge.

The first Quick Carve is clever, challenging, and fun: carving a bowling ball and pins, which the judges test by actually bowling.

So far, the challenges have just let the artists work, giving them time constraints, themes, and must-haves, but otherwise letting them be creative, which is so refreshing.

Golden Globe-nominated actor Adam Beach brings an awed enthusiasm to his hosting. He also slips in a few puns (“The carvers who can’t hack it will be axed from the competition”) and uses an air horn, so watch out, TJ Lavin.

A Cut Above judges Katharine Dowson and Ryan Cook, and host Adam Beach
A Cut Above judges Katharine Dowson and Ryan Cook, and host Adam Beach (Photo by marblemedia)

Because the process is about removing wood and then refining it, it’s a lot easier to follow than glass blowing, which on Blown Away often left me baffled about how a beautiful thing came into being.

I’d still prefer more time watching and less time cutting to the judges and host awkwardly talking their way through prompted conversations, but there’s less mystery here about how the artists have managed to get certain shapes or designs from their logs.

At times, it feels beat-for-beat like Blown Away, is why I’m comparing the two so much. A Cut Above even has an artist in her 50s who creates abstract pieces, and the judges and host standing above the work area making comments.

Chatting with Adam Beach are “technical judge” Ryan Cook and “artistic judge” Katharine Dowson. They can’t quite escape the problem that Blown Away has, too, which is that it’s challenging to objectively judge subject art, and even more challenging to explain that to viewers.

The judging comes down to things like: I wish you would have made this different choice, or I wish you would have had more time to do this.

Contestants begin carving wood with chainsaws during A Cut Above's first challenge.
Contestants begin carving wood with chainsaws during A Cut Above’s first challenge.

But they do tell the bottom three contestants what needs to improve, and are very specific in that, and the first contestant eliminated felt to me like the clear choice based on the work they created.

The artists produce incredible art, even under the time and other constraints of a reality TV competition. It’s beautifully presented, too, with their pieces placed on mossy ground with mist drifting past, reconnecting the wood to the earth.

Season one has 12 one-hour episodes, and I’ve seen the first two episodes via methods, since they’ve already aired in Canada, and since Discovery Channel didn’t provide press with previews. I mention that only because I want more people to know that a great show like this exists.

Between A Cut Above and Blown Away, marblemedia is single-handedly bringing back the once-thriving subgenre of reality TV that gave a platform to talented but perhaps lesser-known artists and art forms. And—oh, forgive me for this!—it’s reality TV that’s a cut above the rest and really blows me away.

A Cut Above

An outstanding celebration of a newer art form that centers the artists and their incredible work, all in a beautiful location. A

What works for me:

  • The impressive artwork by talented artists
  • The gorgeous setting, both natural and production designed
  • Judges giving specific advice about what to improve upon

What could be better:

  • The usual judging-art weaknesses
  • Fewer prompted conversations and more authentic reactions

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About the author

  • Andy Dehnart

    Andy Dehnart is the creator of reality blurred and a writer and teacher who obsessively and critically covers reality TV and unscripted entertainment, focusing on how it’s made and what it means.

Discussion: your turn

I think of writing about television as the start of a conversation, and I value your contributions to that conversation. We’ve created a community that connects people through open and thoughtful conversations about the TV we’re watching and the stories about it.

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Happy discussing!

Jiveyjosh

Wednesday 1st of November 2023

Awesome to see that pretty much everyone agrees: 1- Sylvia lasted way too long. They never “pushed” her out of her comfort zone like they did everyone else. Instead rewarded her for weaker carvings. IMO should have gone home much much sooner than she did (even before the Jon elimination). Did she really not get eliminated after doing the same carving twice??? 2- Chris’s master carves were snubbed the entire show. From the beginning of the show he was the obvious winner.His final carve was far and away the best carve. Although I did agree with the top 3 Chris deserved the win. How about his Kraken not winning the episode before?? What BS. Sam was good but not even on the same level as Chris. It really seemed like somebody was pulling strings for Sam behind the scenes. In this vital first season to create a show that lasts these were the 2 major flaws. I do hope they get renewed for another season but if they don’t- it’s their own fault! Hopefully they see these reviews and figure it out because what we just witnessed was some serious election shenanigans 😉

Johanna

Thursday 26th of October 2023

I literally had to google this episode to see if anyone felt John went home unfairly, all the carvers are amazing and I do really enjoy Sylvia’s pieces however in the last challenge it was totally unfair to have her stay in the competition when something is good it’s good but at that point it was definitely not enough to make it to another challenge. Really disappointing that the judges did not rule fairly. Agree with everyone else.

Eddy

Saturday 14th of October 2023

These guys really are some of the best carvers around. But the grand prize is way too low. A 100k should have been a minimal. And ways to be able yo win cash chalanges should hav been available. Also the carvings that were done during the show. What happened to those? The carvers should be able to keep them. Or sell them off. Just that would bring in about what the grand prize is. The judging was lacking at best. The female judge obviously had a favorite carver. And it showed right from the 1st carving. Overall love this show. Please renew it!!!!!

Joyce Anne

Monday 25th of September 2023

Have watched 10 episodes of A Cut Above, you can tell there is a bias, the only reason Sylvia Itzen is still there has to be because she is a female because seeing her disc to ball thing.....what a joke. John, so sorry you are gone.

Kristin

Saturday 16th of September 2023

I just finished watching the season on Netflix and I feel that the whole show was rigged and I will not waste my time watching another. I loved watching the actual carving and the camaraderie between contestants, but the judging was terrible. There was no reason to bring back a carver who has been eliminated and it was insulting to do that to the remaining carvers. It was strange and I thought that perhaps the judges or producers intentionally created that challenge to bring back Andrew. Then, I almost quit watching the show when John left before Silvia. That was absolutely ridiculous. Silvia didn’t even follow the briefs. She is a superb carver, but has not yet mastered beyond the abstract. I was irritated when her “evolution” of a flat disk to a ball beat John’s piece. I also felt that Chris had been cheated of several master carve wins along the way. He is, by far, the most superior carver in the whole competition and ALWAYS produced a piece that was gorgeous. When he lost in the end with his Merlin piece, I knew that the show was rigged. His piece had movement, emotion, and told a story. It was amazing. Although a wonderful carver and appears to be a kind soul, Sam should not have won. Chris, if you’re reading this, you were robbed of your deserved win and you are definitely a cut above the rest :)