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The Taste and its spoons return with a new twist, same mentors

The Taste and its spoons return with a new twist, same mentors
The Taste's Anthony Bourdain, Marcus Samuelsson, Nigella Lawson, and Ludo Lefebvre. (Photo by Eric McCandless/ABC)

When I reviewed the first season of ABC’s The Taste, I suggested it would not last beyond one season.

Thankfully, ABC thought otherwise and gave the show a shot to redeem itself, and in its second season, it really improved.

It excised things that weren’t working, including former “Top Chef” Brian Malarkey. He was replaced with Marcus Samuelsson, whose intelligence and expertise elevated the series, and so did the simplification of the show’s structure.

Tonight, The Taste and its still-ridiculous spoons are back for a third season, and once again, it made changes for the better, though its strong second-season panel of judges stays intact.

The first episode powering through the auditions and then moves on to the first challenge and elimination.

Later in the season, it’ll introduce a new twist that Samuelsson told me “makes it really difficult for us, which is fun”: a cook-off between the bottom two chefs that the mentors can only observe.

By the way, former Big Brother jury member, Joe Arvin, and former The Bachelor cast member, Renee Oteri, are both featured on tonight’s episode, hoping their food is selected by the judges. (Neither Joe’s appearance on the CBS reality show nor sudden lack of shouting into the camera is acknowledge in the premiere.)

Anthony Bourdain on The Taste

The Taste mentors
Nigella Lawson, Ludo Lefebvre, Marcus Samuelsson, and Anthony Bourdain (Photo by Ron Tom/ABC)

For more insight into the third season, read my interview with Anthony Bourdain, in which he talks about:

  • the show’s “meritocracy”
  • how it’s like “slipping into a warm bath” for the judge/mentors, who hang out together after the cameras turn off
  • and how he enjoys the show, critics be damned, because, he told me, “I like getting the opportunity to cook again. Moments of terror, the stress—that’s fun. I haven’t had that kind of stress since I left the professional kitchen.”

One moment of stress that has improved for viewers are the auditions; in season one, the judges frustratingly kept rejecting food they liked, and Bourdain talked to me how he “got burned” doing that.

In a separate conversation, Marcus Samuelsson told me plating a spoon only is very challenging: “When you have a whole plate, you get a larger canvas to work on, so when you have one bite, you’ve got to be very precise.”

The end result is a competition that only comes down to who prepared better food. 

Bourdain told me that the food “is genuinely judged blind. It is exactly as it appears, basically. The best cook prevails always.”

He also said:

“What I hope comes through in the show is how much fun we’re having, how invested we are in the contestants very quickly. Very quickly we bond with not just the people on our teams, but you start to take a real interest and concern in some cooks on the rival teams who presumably we shouldn’t care about, but we do. We all become very involved in the game and our passionate discussions and even arguments continue long after the work day’s over.”

Bourdain said he applied the same criteria to considering doing The Taste as he did to other projects:

It’s always a quality of life issue for me. Am I having fun? Am I working with people I like? It is it interesting to me? I very much understand that a big network competitive reality show is not going to appeal to a certain number of people who really like Kitchen Confidential or are fans of ‘Parts Unknown’. I’m a guy with a lot of interests. As I’ve said before, this bus makes many stops; I don’t expect everybody to get off on all of them.”

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About the author

  • Andy Dehnart

    Andy Dehnart is the creator of reality blurred and a writer and teacher who obsessively and critically covers reality TV and unscripted entertainment, focusing on how it’s made and what it means.

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