Idol’s former finalists have poor record sales, and “labels are reluctant to sign ‘Idol’ runners-up”

American Idol‘s top 12 finalists often hope to turn their exposure on the series into success recording and selling albums. But that hasn’t exactly happened for anyone who’s placed lower than second. As reports, “of the 12th- through third-place finishers who have gone on to release records, only one has gone gold: second-season country singer Josh Gracin (around 646,500 copies sold), who finished fourth.”

Next up is “second-season singer, third-place finisher Kimberley Locke, has sold approximately 209,000 copies of One Love, but after her, the next-best loser is — tellingly — William Hung’s Inspiration (194,00).” MTV also runs down the other losers’ album sales: “Tamyra Gray’s The Dreamer (122,000), RJ Helton’s Real Life (21,000), John Stevens’ Red (18,000), George Huff’s Miracles (17,000) and self-titled albums from Jasmine Trias (12,000) and Corey Clark (2,400).” Good to know that Corey Clark’s little press junket didn’t really work.

So why aren’t these finalists doing well? Among the theories: restricted by the show’s contract, they “are missing their window of opportunity,” and that “it’s a show that’s all about the winners,” not the losers, who we quickly dump on their asses as soon as a winner is selected.

Hits’ Roy Trakin argues that ultimately, “This isn’t a loyal, fanatical audience. They’re tuned to the moment. Even winners have to have a lot more to really plow through, and anyone below has that much more of a stretch to capture the public’s attention.”

No Love for ‘Idol’ Losers []

Review: Married at First Sight

Marriage At First Sight

In an era of Tinder and Grindr, instant acceptance or dismissal of a potential partner, or instant sex with another body, Married at First Sight offers the thrill of watching strangers deal with the very basics of relationships.

Beyond the headline-grabbing premise, the series has turned out to be a stripped-down, authentic exploration of something very interesting. Read the full review.

about the writer

Andy Dehnart is a journalist who has covered reality television for more than 15 years and created reality blurred in 2000. A member of the Television Critics Association, his writing and criticism about television, culture, and media has appeared on NPR and in Playboy, Buzzfeed, and many other publications. Andy, 36, also directs the journalism program at Stetson University in Florida, where he teaches creative nonfiction and journalism. He has an M.F.A. in nonfiction writing and literature from Bennington College. More about reality blurred and Andy.