writer: American Idol provides “naive, star struck teenagers” to record companies.

writer: American Idol provides “naive, star struck teenagers” to record companies.
American Idol has helped revive the “soaring and soulless power ballad” as it “serves the interests of the state while celebrating the dominant culture’s conformist, market driven values,” a writer argues. Writing in Dissident Voice, Leilla Matsui says that Idol “is the answer in bubble wrap to all that ails an industry desperate to regain its lion’s share of the royalties” and “reflects the blond ambitions behind popular music’s ethnic cleansing,” providing “naive, star struck teenagers” who “are easier to control and manipulate than their unpredictable creative counterparts.”

Review: Married at First Sight

Marriage At First Sight

In an era of Tinder and Grindr, instant acceptance or dismissal of a potential partner, or instant sex with another body, Married at First Sight offers the thrill of watching strangers deal with the very basics of relationships.

Beyond the headline-grabbing premise, the series has turned out to be a stripped-down, authentic exploration of something very interesting. Read the full review.

about the writer

Andy Dehnart is a journalist who has covered reality television for more than 15 years and created reality blurred in 2000. A member of the Television Critics Association, his writing and criticism about television, culture, and media has appeared on NPR and in Playboy, Buzzfeed, and many other publications. Andy, 36, also directs the journalism program at Stetson University in Florida, where he teaches creative nonfiction and journalism. He has an M.F.A. in nonfiction writing and literature from Bennington College. More about reality blurred and Andy.